STRATA PhotoBangkok Pop-Up Exhibitions 2019

I Love Thailand by Naraphat Sakarthornsap

 

Naraphat Sakarthornsap, Ignorant Bond 10, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 21, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 20, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 12, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 09, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 02, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 04, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 14, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

Naraphat Sakarthornsap, Ignorant Bond 16, 40x54 cm with white border, Cannon semi-gloss paper, 2017, Edition of 5 + 1 AP

 

 

 

I Love Thailand by Charinthorn Rachurutchata

 

Charinthorn Rachurutchata, I Love You Thailand, 21x30 cm (each photo), Digital C-Print, 2019, Edition of 9 set of 100 photos

Charinthorn Rachurutchata, I Love You Thailand, Video installation 5 minutes, 2019, Edition of 9

 

 

 

“What a wonderful world?” by John Hulme

 

John Hulme, Ranong7 Burmese dry dock workers replace the serviced propeller of a fishing vessel. Ranong Thailand. February 2012 , 59.4x84.1 cm with white border, 

Nikon D700. Nikkor 24-70mm, 2012, Edition of 3+1 AP

 

John Hulme, Snooker Club Internal migrants relax with a game of snooker after their shift. Shwe Lin Ban Industrial zone. Yangon Myanmar. August 2016, 42x59.4 cm with white border, Fuji XPro 1. Fujinon 18-55mm, 2016, Edition of 5+1 AP

 

John Hulme, Cane15 Cane cutter and child, with no one at home to look after their children all day workers bring them along to the fields, to keep an eye on them under a shaded spot. Mae Sot Thailand. March 2019, 42x59.4 cm with white border, Fuji XPro 1. Fujinon 18-55mm, 2019, Edition of 5+1 AP

 

John Hulme, Dump Sweet fight, a father teases his son with the last sweet. Mae Sot garbage dump. Mae Sot Thailand. August 2008, 42x59.4 cm with white border,

Nikon D700. Nikkor 24-70mm, 2008,Edition of 5+1 AP

 

John Hulme, At home22b Children of agricultural migrants do their homework by oil lamp. Mae Sot Thailand. Jan 2010, 42x59.4 cm with white border,

Nikon D700. Nikkor 24-70mm, 2010, Edition of 5+1 AP

 

John Hulme, At home2 Internal migrants catch the bus home; Shwe Lin Ban Industrial zone. Yangon Myanmar. August 2016, 42x59.4 cm with white border,

Fuji XPro 1. Fujinon 16mm 1.4, 2016, Edition of 5+1 AP

 

John Hulme, At Work12 Symbolic entrapment, just back from sea a young deckhand with the rest of the crew hauls netting aboard to repair any damage. Ranong port Thailand. February 2012, 42x59.4 cm with white border,  Nikon D700. Nikkor 24-70mm, 2012, Edition of 5+1 AP

 

John Hulme, At home22c Family portrait of Burmese agricultural migrants and children. Mae Sot Thailand. Jan 2010, 42x59.4 cm with white border,

Nikon D700. Nikkor 24-70mm, 2010, Edition of 5+1 AP

 

John Hulme, Immigration1 Immigration Police check the paper work of migrants on a bus from Bangkok, Mae Sot checkpoint. Mae Sot Thailand. January 2010, 42x59.4 cm with white border, Nikon D700. Nikkor 24-70mm, 2010, Edition of 5+1 AP

 

John Hulme, Cane3 A Burmese agricultural worker controls the field-fires set after harvesting the sugar cane. Mae Sot Thailand. March 2019, 42x59.4 cm with white border,

Fuji XPro 1. Fujinon 16mm 1.4, 2019,Edition of 5+1 AP

 

John Hulme, Clinic7 Mae Tao Clinic, a factory worker with her daughter who has suffered burns when mosquito netting caught fire from a lit candle. Mae Sot Thailand. March 2008, 42x59.4 cm with white border, Nikon D700. Nikkor 24-70mm, 2008, Edition of 5+1 AP

 

 

 

“What a wonderful world?” by Tetsuya Kusu

 

Tetsuya Kusu, American Monuments #14, 42x60 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #46, 42x60 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #4, 60x42 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #26, 60x84 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #3, 42x60 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #15, 42x60 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #16, 60x42 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #25, 84x60 cm with white border, Digital C-Print, 2014, Edition of 8

Tetsuya Kusu, American Monuments #17, 60x42 cm with white border, Digital C-Print, 2014, Edition of 8

 

 

 

Madrid in Black and White by Luis Del Am

Luis Del Amo, Carina with rollei, 120x84 cm, 35mm film Kodak PX , 1985, Edition of 3 + 1 AP

Luis Del Amo, Carina and Carmen, 120x84 cm, 6x4’5 film Kodak PX , 1984, Edition of 3 + 1 AP

Luis Del Amo, Sole,120x84 cm, 6x4’5 film Kodak PX, 1987, Edition of 3 + 1 AP

Luis Del Amo, Carina, 120x84 cm, 35mm film Agfapan 100, 1985, Edition of 3 + 1 AP

Luis Del Amo, Isabella, 120x84 cm, 6x4’5 film Kodak PX, 1987, Edition of 3 + 1 AP

Luis Del Amo, Becky II, 120x84 cm, 35mm film Kodak PX, 1989, Edition of 3 + 1 AP

Luis Del Amo, Becky I, 120x84 cm, 35mm film Kodak PX, 1989, Edition of 3 + 1 AP

Luis Del Amo, Kathryn, 120x84 cm, 35mm film Kodak TX, 1989, Edition of 3 + 1 AP

Luis Del Amo, Bigas Luna, 120x84 cm, 6x4’5 film Kodak PX, 1992, Edition of 3 + 1 AP

Luis Del Amo, Josh, 120x84 cm,  6x4’5 film Kodak PX, 1992, Edition of 3 + 1 AP

Luis Del Amo, Marta, 120x84 cm, 6x4’5 film Kodak PX, 1992, Edition of 3 + 1 AP

Luis Del Amo, Miranda, 120x84 cm, 35mm film Kodak PX, 1992, Edition of 3 + 1 AP

Luis Del Amo, Cristina Piaget, 120x84 cm, 6x4’5 film Kodak PX, 1994, Edition of 3 + 1 AP

Luis Del Amo, Natalia and unknown model, 120x84 cm,  6x7 film Kodak PX, 1997, Edition of 3 + 1 AP

 

 

 

Expanse by Suzanne Moxhay

 

Suzanne Moxhay, Clearing, 90x60 cm (105x75 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2018, Edition of 10

Suzanne Moxhay, Hothouse, 76x106 cm (91x121 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2019, Edition of 15 + 3 APs

Suzanne Moxhay, Vestibule, 75x90 cm (90x105 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2015, Edition of 30

Suzanne Moxhay, Double, 85x78.6 cm (100x93.6 cm with white border), Archival Pigment print on Hahnemuhle Photorag, 2018, Edition of 15

Suzanne Moxhay, Dormer, 89.2x65 cm (104.2x80 cm with white border), Archival Pigment print on Hahnemuhle Photorag, 2018, Edition of 10

Suzanne Moxhay, Eclipse, 34x33.28 cm (44x43.28 cm with white border), hand finished with goache, 2018, Edition of 15

Suzanne Moxhay, Entrance VIII, 47.31x35 cm (57.31x45 cm with white border), Archival PigmentPrint on Hahnemuhle Photorag, 2018, Edition of 40

Suzanne Moxhay, Partition, 70x80 cm (85x95 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2015, Edition of 10

Suzanne Moxhay, Mirror, 92.2x80 cm (107.2x95 cm with white border), Archival PigmentPrint on Hahnemuhle Photorag, 2018, Edition of 40 + 3 APs

Suzanne Moxhay, Staircase, 109x90 cm (124x105 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2016, Edition of 3 + 1 AP

Suzanne Moxhay, Waiting Room, 44.46x32 cm (54.46x42 cm with white border), Archival PigmentPrint on Hahnemuhle Photorag, 2018, Edition of 40

Suzanne Moxhay, Entrance VII, 41.83x33 cm (51.83x43 cm with white border), Hand finished Archival Pigment Print on Hahnemuhle Photorag, 2018, Edition of 40

Suzanne Moxhay, Entrance VI, 42x32.45 cm (52x42.45 cm with white border), Archival PigmentPrint on Hahnemuhle Photorag, 2017, Edition od 40

Suzanne Moxhay, Entrance V, 50.58x34 cm (60.58x44 cm with white border), Archival PigmentPrint on Hahnemuhle Photorag, 2017, Edition of 40

Suzanne Moxhay, Entrance III, 42x32.25 cm (52x42.25 cm with white border), Archival PigmentPrint on Hahnemuhle Photorag, 2016, Editiion of 40

Suzanne Moxhay, Casement, 80x60 cm (95x75 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2017, Edition of 40

Suzanne Moxhay, Conduit, 90x60 cm (105x75 cm with white border), hand finished with goache, 2017, Edition of 10

Suzanne Moxhay, Doorway, 42.2x44 cm (52.2x54 cm with white border), Archival Pigment Print on Hahnemuhle Photorag, 2018, Edition of 15 + 3 APs

 

Please reload

  • Facebook - Grey Circle
  • Instagram - Grey Circle

© 2017 1PROJECTS Gallery All Right Reserved.